![]() ![]() Since 1981 she has done several shorts and TV projects. She attended college in Australia, studying painting, sculpture, and anthropology (her favorite teacher was a student of Claude Levi-Strauss), then went on to film school. Sweetie is the first theatrical feature by Campion, a New Zealand-born filmmaker now in her mid-30s. Even after three viewings spread out over half a year, I’m still racing after Jane Campion’s mind-boggling Sweetie, and I can’t claim fully to have caught up with it yet it keeps bolting and veering off with a mind and will of its own - one strong indication that it’s still very much alive and dangerous. Sometimes the arrival of a major talent is greeted by immediate fanfares but truly original talents, who often start well ahead of their audiences, sometimes have to wait things out. With Genevieve Lemon, Karen Colston, Tom Lycos, Dorothy Barry, Jon Darling, Michael Lake, and Andre Pataczek. (I’ll never forget a bitter comment Jean-Luc Godard made to me in Toronto in 1996, citing Campion as a perfect example of a talented filmmaker “completely destroyed by money”.) But then again, to cite someone cross-referenced in this review (and also significantly cross-referenced in Top of the Lake, a kind of feminist response to Blue Velvet and Twin Peaks), it’s also hard to think of many David Lynch films that have lived up to the promise of Eraserhead, at least prior to Inland Empire….I suspect that the collaboration of writer Gerard Lee on Passionless Moments, Sweetie, and Top of the Lake has something to do with what makes all three of them stand out so vividly in Campion’s oeuvre.– J.R. I must confess that I was disappointed for a long time that none of Campion’s subsequent films lived up to the promise of Sweetie, in spite of the virtues of some of them, at least until her wonderful 2014 miniseries Top of the Lake, which I’ve just belatedly caught up with. Swinging by Dahlia House, I made sure Sweetie was inside and Reveler in his stall.From the Chicago Reader (March 30, 1990). I pulled in and gave Sweetie strict orders to remain in the passenger seat. I glanced toward the front door, where Sweetie Pie was moaning softly.Īs soon as the pampered little Yorkie saw Sweetie, she leaped to the floor and the two dogs took off through the doggie door.Īfter I brought the records in, I followed Sweetie to the kitchen and filled her food bowl and gave her fresh water. I was almost to the front door when Sweetie Pie came rushing out of the parlor and almost knocked me down. I was walking through the gate when Sweetie Pie stopped in front of me, her body rigid and a growl issuing from her throat that sounded like the precursor to a visit from Linda Blair in her younger days. Reveler and Sweetie Pie were my sounding boards as I came to the conclusion that I was falling in love with Scott. I looked at Sweetie, who was slowly walking up beside the bed, her tail straight and her teeth bared as she growled.Īs soon as I opened the refrigerator door, Sweetie Pie came out of her doggy coma and charged through the doggy door. I was about to call out to Sweetie, but she ran forward, tail wagging, and accepted the hand he put on her head. Reveler was eager to get in his stall and eat, and Sweetie barked from the porch, a reminder that she, too, wanted some chow and attention, in that order. Reveler stomped his hoof in impatience to be moving, and Sweetie Pie came bounding out of the Tallahatchie, shaking the cool water from her fur. Tinkie settled at the table, not even blinking an eye when Sweetie Pie picked Chablis up by the neck and carried her out through the doggie door. Tinkie had taken Sweetie to a doggy salon and given her a new look, changing her from a brindled red tic hound to a vibrant shade of redbone. ![]()
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